Ana Tamayo
Ana Tamayo





(EN)CONSTRUCTION










Chocó, Colombia /
Marseille & Île de France, France




(En) Construction, Installation, impression offset sur papier bond, carton, bois, impressions photographiques, Montreuil, 2016




Construire, se construire, re construire une feuille, une chose, un musée, une société, un monde, soi même. Et recommencer, doubler l’expérience éternellement. Être en constante construction.
Ce travail pose des actions symboliques : construire un bâtiment, un musée (à Marseille), une feuille tombé d’un arbre (au chocó), se refaire soit même ici ou là. La construction d’un musée hors du contexte, la réversion du temps en accéléré, la transgression de l’espace, basculer la photographie et sa pensée.
La parution dans le catalogue* du Mois de la Photo Grand Paris 2017, dans l’exposition Penser la photographie, avec le collectif Diaph 8, en commissariat avec Alain Bernardini, Pascal Beausse, et en collaboration avec Julien Duc-Maugé de MMaintenant Synesthésie.




Double (En)Construction, Installation, Impression photographique sur bois 270 cm x 200 cm x 3 cm, Mois de la Photo du Grand Paris, Légion d’honneur, CAC Synesthésie, Saint-Denis, 2017





(en)construction 2016, parution dans le catalogue du Mois de la photo du Grand Paris, 2017

















Marseille, France



Chocó, Colombia



Mark
This series of photographs and objects that becomes an installation are the first two parts of the Queer Constellation. The black and white printed photographs are made from queer fetish objects, in a performative gesture of surveying intimate and public places. The images are intervened with words. There emerges a language of Abya Yala's intersectional feminism. One could say a queer and anti-racist eco feminism.
On the other hand, photographs of performances with starry backgrounds are used as metaphors. On the one hand this re-situates the human in a geological and cosmic scale, on the other hand it shows different constellations or worlds co-inhabiting together. A world that contains many worlds as the Zapatistas say.

This installation around a feminist SF tells the history of a queer community, propelled by the global south, which seeks autonomy of its food and health and does not want to reproduce the society of today. It is in search of in search of ancestral and contemporary body memories and ecological knowledge to redefine their territories and boundaries in different parts of the world and in cyber space. This series is imagined as a diversity of constellations where | address issues such as care through medicinal plants, emotional digestion, dancing as a way of performing bodily and self-care tools; gender deconstruction, alternative thoughts and writings.
 
In this context | program, "Pelvica", as performative laboratory and collective workshops that allow the movement of bodies and thoughts, the conversation and construction of multiple points of view on digestion and non-reproduction, in collaborative care environments. Some of these collective and individual photographs are the result of invitations and the creation of these workshops: body movement, medicinal plants, drawing and automatic writing & collective and individual performance photography. These laboratories were activated in Colombia, with the help of the Traversées grant, at the Tour Mercuriales in Bagnolet within the Plateau Urbain, and at the Cité Internationale des Arts, as a laureate of the Fondation Carasso. This series is currently in post-production, is open and will be continued.



Workshops by

PΞŁvłϾΛ



INSTAGRAM


Ana Tamayo, Adagp, 2024